In a town that boasts an unusually large number of top-tier jazz musicians, Doug Miller has long ranked as one of Seattle’s most respected bass players. A mainstay of the regional jazz scene for two decades, Doug has appeared in concerts, clubs, clinics and on recordings with many of the world’s leading jazz musicians including James Moody, Ken Peplowski, George Cables, Ray Vega, and Dick Hyman, and he has toured with the Count Basie Orchestra, the Ellington Orchestra, and Ernestine Anderson. He’s a founding member of the critically-acclaimed trio New Stories, and of Big Neighborhood, a quartet that is redefining twenty-first century jazz by merging unusual elements in collage-like compositions that combine unusual energy with edgy improvisation. Doug is also a composer whose compositions are widely recorded, and an educator and former member of the faculty of the University of Washington, where he taught for eight years.

Born in Bloomington, Indiana, Doug is a direct musical descendant of Ray Brown, the pioneering bebop musician who set the standard for jazz bass throughout the second half of the twentieth century. Inspired by the great jazz bands led by David Baker at Indiana University in the late 1960s and early 1970s (which included musicians such as the Brecker brothers), Doug took up the jazz trumpet while in sixth grade and started playing electric bass a few years later. While Doug was in tenth grade, he heard Ray Brown protégé and I.U. student John Clayton. Doug began studying with Clayton, who has gone on to become one of the most renowned jazz musicians of the modern era, and Clayton has long been one of Doug’s most important mentors.

Doug studied classical bass at the Indiana University for two years before moving to Indianapolis, where he worked as a full-time musician. In 1982, Doug moved to New York City. He worked steadily for the next two and a half years in New York, playing with Mel Lewis, appearing regularly with the piano player Ram Ramirez (composer of the beautiful jazz standard “Lover Man”), and working with a wide range of top players in bebop and Brazilian jazz.

In 1987, Doug moved to Seattle. Following a recommendation from Clayton, Doug contacted Buddy Catlett, the great Seattle bass player who had recorded with Louis Armstrong, Ella Fitzgerald, and Coleman Hawkins. With encouragement from Catlett, Doug was soon playing regularly at Lofurno’s and other Seattle jazz spots.

In 1988, Doug, pianist Marc Seales, and drummer John Bishop began their long musical partnership. Known as New Stories since 1989, the trio has been called an “impeccable rhythm section” by JazzTimes magazine and for nearly 20 years, the group has produced critically acclaimed music characterized by unusual musical empathy and sensitivity.

New Stories has produced four recordings as a trio. The group’s most recent CD, “Hope Is In the Air: The Music of Elmo Hope,” spent four months on the JazzWeek National Airplay chart. New Stories also appeared on six recordings with the late bebop saxophone great Don Lanphere, and on “Song for the Geese,” an RCA recording with singer Mark Murphy that was nominated for a Grammy award. A house group for 17 years at the Port Townsend Jazz Festival, the trio has performed at the JVC Jazz Festival in Vladivostok, Russia, and appeared in concert with Tom Harrell, Charles McPherson, Conte Condoli, Sonny Fortune, Bobby Shew, Larry Coryell, and Ernie Watts.

In 2004, Doug co-founded Big Neighborhood with guitarist David White, saxophone player Chris Fagan, and drummer Phil Parisot. Big Neighborhood has produced two well-received recordings. According to All About Jazz, “11:11,” the group’s most recent CD, “is a cohesive blend of glowing guitar . . . with an ebullient, usually odd-meter bass/drum rhythm team and a succinct alto sax . . . working a precision versus freedom groove about as skillfully and engagingly as it can be done.”

In addition, to CDs with New Stories and Big Neighborhood, Doug has recorded with Brent Jensen, Pete Christlieb, Marius Nordal, Bill Anschell, , Jay Thomas, Cynthia Mullis, and others. One of Seattle’s busiest musicians, he appears regularly in clubs and concerts in Seattle and around the Pacific Northwest. A dedicated teacher, Doug continues to pass on the tradition handed down by Ray Brown and John Clayton to a new generation of aspiring young musicians.